Claudia Slanar

2021 (Spring)

Phantom, Performance, Phantasy.
A Conditional Report of a Certain Space

in: Francesca Aldegani. AYTOS, artist book,
Sigmund Freud Museum, Vienna, German and English.
EN / DE
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2020

Tatsächlich…Liebe: Zu Patric Chihas Si c’était de l’amour /
(Love …. Actually: About Patric Chiha’s If It Were Love)

Essay for Duisburger Filmwoche, November 2020, published online, German and English.
EN / DE
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2020

Der Durchbruch des Realen. Michaela Grills Videoarbeiten zwischen Abstraktion, Reduktion und Vermischung (The Comeback of the Real. Michaela Grill’s Video Works Between Abstraction, Reduction and Hybridity)

in: Eine Eigene Geschichte. Frauen Film Österreich (A Story of Her Own. Women Film Austria), Isabella Reicher (ed.), Vienna: Sonderzahl Publishers, 2020, p. 279–287, German.
DE
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2019

One and Divisible

in: Two Journeys. Two short film programs traveling between Vienna, Los Angeles, and elsewhere, Rebecca Baron, Viktoria Schmid, Nora Sweeney, Lisa Truttmann for The Golden Pixel Cooperative (eds.), Vienna 2019, p. 3-4, English.
EN
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2019

Lukas Marxt. From Light to Cold

Claudia Slanar (ed. and author),
Vienna: VfmK–Verlag für moderne Kunst, English.
EN
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2018

The Future is Bright and Silver: Zwischen Performance, Partizipation und Wohnen 2.0 (Between Performance, Participation and Living 2.0)

in: PUSH and PULL re-invented. Eva Chytilek & Jakob Neulinger,
Vienna: MUMOK (Museum of Modern Art), p. 93–105, German and English (translation Nicholas Grindell).
EN / DE
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2018

Die Gespenster der Entfremdung / The Specters of Alienation
On the films of Anka and Wilhelm Sasnal

in: Crossing Europe filmfestival 2017, Linz, 2017, p. 86-89,
German and English (translation Aileen Dierig).
EN / DE
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2017

Vor dem Ausstellen (Before Exhibiting)

in: ba   b+a I 10 Jahre MUSA,  Aus der Sammlung der Stadt Wien
(from the collection of the Cultural Department of the City of Vienna),
G. Achleitner, B. Ecker, and F. Thalmair (eds.) for the City of Vienna, p. 170–189, German and English.
EN / DE
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2016

Warum Ereignisse re-inszenieren? (Why Restaging Events?)

in: entwerfen erforschen. Der „performative turn“ im Architekturstudium
(design and research. The ‘performative turn’ within architecture curricula),
A. Schnell, E. Sommeregger, W. Indrist (eds.), Basel: Birkhäuser Publishers, p. 74–82, German.
DE
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2012

Living and Acting in L.A.: On the documentary fictions of Borjana Ventzislavova

in: Borjana Ventzislavova: Case Study, Silvie Aigner (ed.) for bäckerstraße 4–platform for contemporary art, Vienna: dispositiv/bäckerstraße 4, p. 20–31, German and English.
EN / DE
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2007

James Benning

Barbara Pichler, Claudia Slanar (eds. and authors),
Vienna: FilmmuseumSynema Publications, English.
EN
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2007

This looks just like home.’ À propos des non-lieux et espaces autres dans le cinéma autrichien contemporain (About Non-Places and Other Spaces in Contemporary Austrian Cinema)

in: Le cinéma autrichien, Christa Blümlinger (ed.), Austriaca. Cahiers universitaires d’information sur l’Autriche, no. 64, Publications des Universités de Rouen et du Havre, p. 115–127, French and German.
FR / DE
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